Publications

Selected publications

Books

Martin, A.P., 2008, Que es el Cine Moderno?, Uqbar Editores, Las Condes, Chile.

Martin, A.P., 2003, The Mad Max Movies, Currency Press Pty Ltd and Screensound Australia, Strawberry Hills NSW Australia & Canberra ACT Australia.

Journal Articles

Martin, A., 2011, Artistic tension, Colloquy: Text Theory Critique [E], vol 22, Monash University, VIC Australia, pp. 218-228.

Martin, A., 2011, Turn the page: From Mise en scene to Dispositif, Screening the Past [P], vol 31, The Screening the Past Group – La Trobe University, VIC Australia, pp. 1-18.

Martin, A., 2010, “An idleness bordering on the wacky”: Paul Cox and the contradictions of an Australian art cinema, Continuum: Journal of Media and Cultural Studies [P], vol 24, issue 5, Routledge, Australia, pp. 653-665.

Martin, A., 2010, ‘An idleness bordering on the wacky’: Paul Cox and the contradictions of an Australian art cinema, Continuum: Journal of Media and Cultural Studies [P], vol 24, issue 5, Routledge, Australia, pp. 653-665.

Martin, A., 2010, Devastation, HEAT [P], vol 24, Giramondo Publishing Company, Australia, pp. 57-64.

Martin, A., 2010, La luz imperfecta: el cine y la galeria, Secuencias: revista de historia del cine [P], vol 32, Universidad Autonoma de Madrid, Madrid, pp. 89-106.

Martin, A., 2010, Ozploitation compared to what? A challenge to contemporary Australian film studies,Studies in Australasian Cinema [P], vol 4, issue 1, Intellect Ltd, United Kingdom, pp. 9-21.

Martin, A.P., 2009, Cinephilia as War Machine, Framework: The Journal of Cinema and Media [E], vol 50, issue 1 & 2, Wayne State University Press, Michigan USA, pp. 221-225.

Martin, A.P., 2009, In the sand a line is drawn: a reflection on Animation Studies, Animation Studies [E], vol 3, Society for Animation Studies, United States, pp. 10-13.

Martin, A.P., 2009, Ruinous sequels, Reading Room: a journal of art and culture [P], vol 3, E.H. McCormick Research Library, New Zealand, pp. 49-64.

Martin, A.P., 2009, The artist between images and across media: James Clayden, Studies in Australasian Cinema [P], vol 3, issue 2, Intellect Ltd., Bristol, United Kingdom, pp. 179-189.

Martin, A.P., 2009, The long path back: Medievalism and film, Screening the Past [P], vol 26, La Trobe University, Australia, pp. 1-10.

Martin, A.P., 2008, Belle Toujours, Sight and Sound, vol 18, issue 12 December 2008, British Film Institute, London UK, p. 53.

Martin, A.P., 2008, Counterspectacles: American mess, Film Quarterly, vol 61, issue 3 Spring 2008, University of California Press, Berkeley California USA, pp. 70-71.

Martin, A.P., 2008, Counterspectacles: teeming life, Film Quarterly [P], vol 61, issue 4, University of California Press, Journals Division, California, United States, pp. 72-73.

Martin, A.P., 2008, Film Remakes, The Velvet Light Trap [P], vol 61, University of Texas Press, United States, pp. 60-62.

Martin, A.P., 2008, Film criticism in the age of the internet: a critical symposium, Cineaste, vol xxxiii, issue 4, Cineaste Publishers Inc., New York USA, pp. 38-39.

Martin, A.P., 2008, Main Street USA, La Utopia Yanqui, vol 5, issue November 2008, Caiman Ediciones, Madrid Spain, pp. 6-8.

Martin, A.P., 2008, Neurosis hotel, 16:9 [E], vol 6, issue 28, The Danish Film Institute, Denmark, pp. 1-10.

Martin, A.P., 2008, Rethinking mise en scene As Dispositif: an introduction, KINO! [P], vol V-VI, Kino Film Culture Publications, Lubljana, Slovenia, pp. 132-141.

Martin, A.P., 2008, What’s happening? Story, scene and sound in Hou Hsiao-Hsien, Inter-Asia Cultural Studies, vol 9, issue 2 June 2008, Routledge, USA, pp. 258-270.

Martin, A., 2007, Tsai-Fi, Tren de Sombras, issue 7, Spain.

Martin, A., 2007, A tribute to Ingmar Bergman and Michelangelo Antonioni, Art Monthly, issue 204, Art Monthly Ltd, Canberra, Australia, pp. 9-11.

Martin, A.P., 2007, Another Kind of River, Studies in Documentary Film, vol 1, issue 1, Intellect, Bristol, UK, pp. 53-58.

Martin, A., 2007, ‘Black Box/White cube: Cinema in the Gallery’, Artlink, vol 27, issue 3, Artlink Australia, South Australia, pp. 36-38.

Martin, A., 2007, ‘Cinema (and Post-Cinema) Effects in APT5’, Arts Monthly (Australia), issue 197, Arts Monthly Australia Ltd, Canberra, Australia, pp. 11-15.

Martin, A., 2007, ‘December Boys’ (film review), Sight and Sound, vol 17, issue 11, British Film Institute, London, UK, pp. 56-57.

Martin, A., 2007, ‘FIlm Performance’ (book review), Film Studies, issue 9, Manchester University Press, Manchester, UK, pp. 74-76.

Martin, A., 2007, Grandrieux en el underground, Archivos de la Filmoteca, issue 55, institut Valencia de Cinematografia, Valencia, Spain, pp. 159-175.

Martin, A., 2007, ‘I Don’t Want to Sleep Alone’ (film review), Sight and Sound, vol 17, issue 12, British Film Institute, London, UK, pp. 69-70.

Martin, A.P., 2007, Lessons of noise and silence: avant-garde cinema and experimental music in Australia, Studies in Australasian Cinema, vol 1, issue 2, Intellect, Bristol, UK, pp. 223-234.

Martin, A., 2007, ‘Macbeth’ (film review), Sight and Sound, vol 17, issue 9, British Film Institute, London, UK, p. 69.

Martin, A., 2007, Nekateri Filmarji So Gangsteri’, Ekran, vol XLIV, issue Nov – Dec ’07, Slovenian Cinema Theque, Ljubljama, Slovenia, pp. 25-27.

Martin, A., 2007, Realismo poetico y algunya que otra copa, Miradas de cine, issue 59, Miradas de cine Ltd, Madrid, Spain, pp. 1-8.

Martin, A., 2007, Stocking up on Old Bones, Film Quaterly, vol 61, issue 2, University of California, USA, California, USA, pp. 68-69.

Martin, A., 2007, ‘Ten Canoes’ (film Review), Sight and Sound, vol 17, issue 6, British Film Institute, London, UK, pp. 77-78.

Martin, A., 2007, ‘The Host with the Most’ (film review), The Monthly, issue 21, The Monthly Pty Ltd, Melbourne, Australia, pp. 54-56.

Martin, A., 2007, The Hungry Cinema of Stephen Dwoskin, Film Quaterly, vol 61, issue 1, University of California Press, Calofornia, USA, pp. 62-63.

Martin, A., 2007, The Misleading Man: Denis Hopper, Film International, vol 5, issue 1, Intellect, Sweden, pp. 32-44.

Martin, A., 2007, ‘The Night of the Hunter’ (film review), Miradas de Cine, issue 66, Miradas de Cine Ltd, Madrid, Spain.

Martin, A., 2007, The Turning Point, Ray, issue June, Substance Media Ltd, Austria (Vienna), pp. 28-32.

Martin, A., 2007, ‘Unleashing the Inanimate’ (book review), Real Time, issue 80, Open City Inc., Sydney, Australia, p. 33.

Martin, A., 2007, ‘Who’s Your Mummy, The Monthly, issue 20, The Monthly Pty Ltd, Melbourne, Australia, pp. 52-54.

Martin, A.P., 2006, A story of spin, The Monthly: Australian Politics, Society & Culture, vol 1, The Monthly Pty Ltd, Melbourne Vic Australia, pp. 72-73.

Martin, A.P., 2006, Death 24x a Second: Stillness and the Moving Image, Cineaste, vol XXXII, issue 1, Cineaste Publishers Inc., USA, pp. 75-76.

Martin, A.P., 2006, It started with a kiss, Art Monthly Australia, vol 187, issue 187, Art Monthly Australia Ltd., Acton ACT Australia, pp. 3-5.

Martin, A.P., 2006, Kind of a revolution, and kind of not: digital low-budget cinema in Australia today,Scan, vol 3, issue 2, Macquarie University, Sydney NSW Australia, pp. 1-5.

Martin, A.P., 2006, Letter from Paris, Art Monthly Australia, vol 191, issue 191, Art Monthly Australia Ltd., Acton ACT Australia, pp. 3-6.

Martin, A.P., 2006, Little Fish, Sight and Sound: The International Film Magazine, vol 1, British Film Institute, UK, p. 83.

Martin, A.P., 2006, On the level, Photofile, vol 76, Australian Centre for Photography, Paddington NSW Australia, pp. 26-27.

Martin, A.P., 2006, Point of no return, HEAT, vol 11, The Giramondo Publishing Company, Artarmon NSW Australia, pp. 49-60.

Martin, A.P., 2006, Resistible, The Monthly: Australian Politics, Society & Culture, vol 18, issue 18, The Monthly Pty Ltd, Melbourne Vic Australia, pp. 64-65.

Martin, A.P., 2006, Review essay: American Movie Critics: An Anthology from the Silents Until Now, Film Quarterly, vol 60, issue 2, University of California Press, Berkley USA, pp. 48-51.

Martin, A.P., 2006, The Agronomist, Cineaste, vol XXXI, issue 2, Cineaste Publishers Inc., USA, p. 72.

Martin, A.P., 2006, Ticket to ride: Claire Denis and the cinema of the body, Screening the Past, vol 20, issue 20, La Trobe University, Melbourne Vic Australia, pp. 1-11.

Martin, A.P., 2005, Driven, MESH, vol 1, issue 18, Experimenta Media Arts Inc, Melbourne Vic Australia, pp. 3-5.

Book Chapters

Martin, A., 2012, ‘An idleness bordering on the wacky’: Paul Cox and the contradictions of an Australian art cinema, in After Taste: Cultural Value and the Moving Image, eds Julia Vassilieva, Constantine Verevis, Routledge, United Kingdom, pp. 11-24.

Martin, A., 2011, Busby Berkeley, Ken Jacobs: A precarious, extravagant, populist, and constructivist cinema, in Optic Antics: The Cinema of Ken Jacobs, eds Michele Pierson, David E. James and Paul Arthur, Oxford University Press, New York US, pp. 216-229.

Martin, A., 2011, Incursions, in The Language and Style of Film Criticism, eds Alex Clayton and Andrew Klevan, Routledge, Oxon UK, pp. 54-69.

Martin, A., 2010, Hanging here and groping there: on Raul Ruiz’s the six function of the shot, in El Cine de Raul Ruiz: Fantasmas, Simulacros y Artificious, eds Valeria De Los R?-os and Iv?!n Pinto, Uqbar Editores, Santiago de Chile, pp. 291-304.

Martin, A., 2010, Juego con DVD, in Jan Svankmajer. La magia de la subversion, eds Gregorio Martin Gutierrez, T&B Editores, Madrid, Espana, pp. 183-199.

Martin, A., 2010, The moves: Blood (1989), in Film Moments: Criticism, History, Theory, eds Tom Brown and James Walters, Palgrave Macmillan, London UK, pp. 23-26.

Martin, A.P., 2009, “I moved everything to Calcutta”: The radical strangeness of India Song, in Outsider Films on India 1950-1990, eds Shanay Jhaveri, Shoestring Publisher, Mumbai, India, pp. 168-176.

Martin, A.P., 2009, A Vida Interior de Um Filme, in Cem mil cigarros, eds Ricardo Matos Cabo, Orfeu Negro, Lisbon, Portugal, pp. 91-97.

Martin, A.P., 2009, Beyond the fragments of cinephilia: Towards a synthetic analysis, in Cinephilia in the Age of Digital Production: Film, Pleasure and Digital Culture, eds Scott Balcerzak and Jason Sperb, Wallflower Press, Great Britain, pp. 30-53.

Martin, A.P., 2009, Dinosaurios, bebes y el sonido de la musica, in En Transito: Berlin – Paris – Hollywood, eds Carlos Losilla Mayor, T&B Editores, Madrid, Spain, pp. 171-198.

Martin, A.P., 2009, Here and elsewhere: The view from Australia, in Dekalog 3: On Film Festivals, eds Richard Porton, Wallflower Press, Great Britain, pp. 98-106.

Martin, A.P., 2009, In the name of popular culture: Seriousness and Unseriousness in the study of mass art, in Creative Nation: Australian Cinema and Cultural Studies Reader, eds Amit Sarwal and Reema Sarwal, SSS Publications, New Delhi India, pp. 423-435.

Martin, A.P., 2009, The impossible musical: On a clear day you can see forever, in Vincente Minnelli: The Art of Entertainment, eds Joe McElhaney, Wayne State University Press, Michigan USA, pp. 374-393.

Martin, A.P., 2009, Ulmer in the Aquarium, in Edgar G. Ulmer: Essays of the King of the B’s, eds Bernd Herogenrath, McFarland, United States of America, pp. 262-278.

Martin, A.P., 2009, Vilem Flusser, in Flim, Theory and Philosophy: The Key Thinkers, eds Felicity Colman, Acumen Publishing, Durham, pp. 31-39.

Martin, A.P., 2008, An incident in the history of surrealism: on a sequence in The Devil Doll, in The Cinema of Tod Browning: Essays of the Macabre and Grotesque, eds Bernd Herzogenrath, McFarland, North Carolina USA, pp. 198-213.

Martin, A.P., 2008, Boring humanist bodies, in Just Words? Australian Authors Writing for Justice, eds Bernadette Brennan, University of Queensland Press, St Lucia Qld Australia, pp. 87-101.

Martin, A.P., 2008, Cierto rincon oscuro del cine moderno [True dark corner of modern cinema], inNaomi Kawase: El Cine En El Umbral [Naomi Kawase: Cinema at the Threshold], eds Jose Manuel Lopez, T&B Editores, Madrid Spain, pp. 45-53.

Martin, A., 2007, A cut is Not an Accident: Memories of Peter Watkins in ’80s Melbourne’, in Peter Watkins, eds Chris Fujiwara, Jeounju International Film Festival, Jeonju, Korea, pp. 28-43.

Martin, A.P., 2007, Approaching The New World, in The Cinema of Terrence Malick: Poetic Visions of America, eds Hannah Patterson, Wallflower Press, London, UK, pp. 212-221.

Martin, A., 2007, Europa fantasma: ane europeo delotro ladro, in Derivas del cine europeo contemporneo, eds Domenec Font, Carlos Losilla, MICEC’07 Institut Valencia de Cinematografia, Catalunaya, Spain, pp. 119-131.

Martin, A., 2007, Ros Primeros Anos: La Luz y La Oscuridad, in Philippe Garrel: El Cine Revelado, eds Quim Casas, Donostia Zinemaldia Festival de San Sebastian/ Filmoteca Vasca, San Sebastian, Spain, pp. 45-53.

Martin, A., 2007, The Early Years: The Light and the Dark, in Philippe Garrel: El cine Revelado, eds Quim Casas, Donostia Zinemaldia Festival de San Sebastian/ filmoteca Vasca, San Sebastian, Spain, pp. 256-261.

Martin, A., 2005, At the edge of the cut: an encounter with the Hong Kong style in contemporary action cinema, in Honk Kong Connections: Transnational Imagination in Action Cinema, eds Meaghan Morris, Siu Leung Li and Stephen Chan Ching-kiu, Hong Kong University Press and Duke University Press, China / USA, pp. 175-188.

Martin, A.P., 2005, Back to the future: Rocha in the antipodes, in Glauber Rocha- Theatres ai cinema series, eds Cyril Beghin, Magic Cinema, France, pp. 50-51.

Martin, A.P., 2005, COPIUS associative connections: the obsessed cinema of Raul Ruiz, in 11E Biennale De L’Image En Mouvement, eds Isabelle Aeby Papaloizos, Annie Aguettaz, Rodrigo Alonso et.al, Centre Pour L’Image Contempora Geneve, Geneve, pp. 49-56.

Martin, A.P., 2005, Dance girl dance, in La Vie nouvelle/ nouvelle Vision, eds Aicha Bahcelioglu, Nicole Brenez, Editions Leo Scheer, Paris France, pp. 167-170.

Martin, A.P., 2005, Ticket to Ride: Claire Denis and the cinema of the body, in Claire Denis: Fusion Fria, eds Alvaro Arroba, Gijon International Film Festival, Spain, pp. 69-80.

Martin, A.P., 2004, Attack of the Killer Hybrids, in 2004, eds Charles Green, National Gallery of Victoria/Australian Centre for the Moving Image, Melbourne Vic Australia, pp. 78-81.

Martin, A.P., 2004, Displacements, in Raul Ruiz: Images of Passage, eds Helen Bandis and Grant Mc Donald, Rouge Press/International, Rotterdam, pp. 45-53.

Martin, A.P., 2004, Grim fascination: fingers, James Toback and 1970s American cinema, in The last great American picture show, eds Thomas ElsaesserAlexander HowarthNoel King, Amsterdam University Press, Amsterdam Netherlands, pp. 309-332.

Martin, A.P., 2004, Recital: Three Lyrical Interludes in Godard, in For Ever Godard, eds J. Temple, M. Witt and M. Williams, Black Dog Press, London UK, pp. 252-271.

Martin, A.P., 2004, Violently Happy: Gun Crazy (1950), in Film Noir Reader 4, eds Alain Silver and James Ursini, Limelight Editions, New Jersey, pp. 82-85.

Martin, A.P., 2003, Movie mutations 2: second round, in Movie Mutations: The Changing Face of World Cinephilia, eds Jonathan Rosenbaum and Adrian Martin, British Film Institute, London UK, pp. 166-188.

Martin, A.P., 2003, Movie mutations: letters from (and to) some children of 1960, in Movie Mutations: The Change Face of World Cinephilia, eds Jonathan Rosenbaum and Adrian Martin, British Film Institute, London UK, pp. 1-34.

Martin, A.P., 2003, Musical Mutations: Before, Beyond and Against Hollywood, in Movie Mutations: The Changing Face of World Cinephilia, eds Jonathan Rosenbaum and Adrian Martin, British Film Institute Publishing, London UK, pp. 94-108.

Martin, A.P., 2003, The future of academic film study, in Movie Mutations: The Changing Face of World Cinephilia, eds Jonathan Rosenbaaum and Adrian Martin, British Film Institute, London UK, pp. 119-132.

Martin, A.P., 2003, The two Daves, in The Best Australian Essays 2003, eds Peter Craven, Black Inc., Melbourne Vic Australia, pp. 273-282.

Martin, A.P., 2002, A Larry Clark portrait, in The Best Australian Essays, eds Peter Craven, Black Inc., Melbourne Vic Australia, pp. 250-258.

Martin, A.P., 2002, The misleading man: Dennis Hopper, in Stars in Our Eyes. The Star Phenomena in the Contemporary Era, eds Angela Ndalianis and Charlotte Henry, Praeger, Westport Connecticut, pp. 3-19.

Conference Proceedings

Martin, A., 2007, A Translation Policy: Rouge Magazine, Translation and Interpreting: Risks and Rewards, 17-18 November 2006, Monash university, Melbourne, Australia.

Other publications

Martin, A.P., 2008, Audio commentary for “Gertrud” (film), Madman DVD Release, Madman Films, Melbourne Vic, Australia.

Martin, A.P., 2008, Audio commentary for “Martha” (film), Madman DVD Release, Madman Films, Melbourne Vic, Australia.

Martin, A.P., 2008, Audio commentary for “The Tarnished Angels” (film), Madman DVD Release, Madman Films, Melbourne Vic, Australia.

Martin, A.P., 2008, Chris Marker: notes in the margin of his time, Cineaste: Amercia’s leading magazine on the art and politics of the cinema, vol XXXIII, issue 4, Cineaste Publishers, Inc., New York, United States, pp. 6-9.

Martin, A.P., 2008, Contempt, The Monthly, vol 39, The Monthly Pty Ltd, Melbourne Vic, Australia, pp. 62-65.

Martin, A.P., 2008, Critics on critics, Sight and Sound, vol 18, issue 10 October 2008, British Film Institute, London UK, p. 23.

Martin, A.P., 2008, Crossing marker, Catalogue of art exhibition (Chris Marker: Owls at Noon), Institute of Modern Art, Brisbane Qld, Australia.

Martin, A.P., 2008, Cruising: the sound of violence, Undercurrent, vol 4, International Federation of Film Critics (FIPRESCI), Germany.

Martin, A.P., 2008, Dentro, alrededor y sobre ‘Notorious’, Miradas de Cine, vol 78, issue Sept 2008, Miradas de Cine, Madrid, Spain.

Martin, A.P., 2008, Divide and conquer: a world of possibilities in the unstudied field of DVD chaptering, Moving Image Source, Museum of the Moving Image, Astoria NY, United States.

Martin, A.P., 2008, La Pianista (La pianiste, 2001), Miradas de Cine, vol 76, issue July 1008, Miradas de Cine, Madrid, Spain.

Martin, A.P., 2008, Passionate Time, Four by Agnes Varda, Criterion DVD, New York USA.

Martin, A.P., 2008, The enigma of gesture, FIPRESCI, vol journal, International Federation of Film Critics, Germany.

Martin, A.P., 2008, Tracks, Essay for art catalogue (Daniel Crooks: Everywhere Instantly), Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand.

Martin, A.P., 2008, What’s cult got to do with it? In defense of cinephile elitism, Cineaste: Amercia’s leading magazine on the art and politics of the cinema, vol XXXIV, issue 1, Cineaste Publishers, Inc., New York, United States, pp. 39-42.

Martin, A.P., 2008, William Klein: waiting for a photographer, Essay commissioned for film retrospective, Australian Centre for the Moving Image (ACMI), Melbourne Vic, Australia.

Martin, A., 2007, Analysis of film ALICE IN THE CITIES (1973), DVD – WIM WENDERS’ ROAD MOVIES, Madman DVD, Melbourne, Australia.

Martin, A., 2007, Analysis of film DR MABUSE THE GAMBLER, DVD of DR MABUSE THE GAMBLER, Madman DVD, Melbourne, Australia.

Martin, A., 2007, Analysis of film JOURNEY IN ITALY (1953), dvd of JOURNEY IN ITALY, Madman DVD, Melbourne, Australia.

Martin, A., 2007, Analysis of film ‘The Promise’, DVD of ‘The Promise’, Madman DVD, Melbourne, Australia.

Martin, A., 2007, Analysis of the film THE BLUE ANGEL (1930), DVD – THE BLUE ANGEL, Madman DVD, Meelbourne, Australia.

Martin, A., 2007, Essay ‘ The Comings and Goings of Mikio Naruse, DVD – Mikio Naruse, British Film Institute, London, UK.

Martin, A., 2007, ‘On Earth as It Is in Heaven, DVD of film DAYS OF HEAVEN (1978), Criterion, New York, USA.

Martin, A.P., 2007, Polexini Papapetrou, Untitled: Portraits of Australian Artists, Macmillan Publishing, Melbourne, p. 260.

Martin, A.P., 2006, Curiosity/exigency, Undercurrent, Fipresci, Austria.

Martin, A.P., 2006, History is made at night, De Film Krant, Film Krant, Amsterdam Netherlands.

Martin, A.P., 2006, Life on the installment plan: thoughts arising from “Elizabethtown”, Undercurrent, Fipresci, Austria.

Martin, A.P., 2006, Love’s moment: Before Sunrise and Before Sunset, Cinemascope – Independent Film Journal, Emanuele Tammaro, Italy.

Martin, A.P., 2006, The crop, Creme de la Phlegm: Unforgettable Australian Reviews, vol other, The Miegunyah Press, Carlton Vic, Australia, pp. 400-401.

Martin, A.P., 2005, Style and meaning: studies in the detailed analysis of film, Screening the Past, vol 18, issue 18, Latrobe University, Melbourne Vic Australia, pp. 1-3.

Martin, A.P., 2003, Proof positive, Screening the Past, issue 15, 2 July, La Trobe University, www.latrobe.edu/au/screeninggthepast/html, pp. 1-4.