Publications

For full myResearch publications list, click here.

 

Books

Australian Film Theory and Criticism Vol 3: Documents. Co-edited with Deane Williams. Intellect, 2017 [forthcoming].

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Transnational Film Remakes. Co-edited with Iain Robert Smith. Edinburgh University Press, 2017.

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Transnational Television Remakes. Co-edited with Claire Perkins. Routledge, 2016.

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US Independent Film After 1989: Possible Films. Co-edited with Claire Perkins. Edinburgh University Press, 2015.

US Indie

B Is for Bad Cinema: Aesthetics, Politics and Cultural Value. Co-edited with Claire Perkins. SUNY Press, 2014.

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Australian Film Theory and Criticism Vol 1: Critical Positions. Co-authored with Noel King and Deane Williams. Intellect, 2013.

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Film Remakes, Adaptations, and Fan Productions: Remake/Remodel. Co-edited with Kathleen Loock. Palgrave-Macmillan, 2012.

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Film Trilogies: New Critical Approaches. Co-edited with Claire Perkins. Palgrave-Macmillan, 2012.

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After Taste: Cultural Value and the Moving Image. Co-edited with Julia Vassilieva. Routledge, 2012.

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Second Takes: Critical Approaches to the Film Sequel. Co-edited with Carolyn Jess-Cooke. SUNY Press, 2010.

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Film Remakes. Edinburgh University Press, 2006.

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Journal Articles

Verevis, C., Williams, D. ‘The Future of Film Studies in the Age of Media Studies.’ Screening the Past 42 (October 2017). http://www.screeningthepast.com/issue-42/ n. pag. 

Verevis, C., 2017. The Love Letters from Teralba Road. Metro no. 192 (May), NFSA Kodak/Atlab Cinema Collection, Part 37, Australian Teachers of Media, Australia, pp. 102–08.

Verevis, C., 2016. The Cinematic Return. Film Criticism 40.1 DOI: https://doi.org/10.3998/fc.13761232.0040.134 n. pag.

Verevis, C., 2015. ‘Whose Side Are You On?’ The Slap (2011/2015).” Continuum 29.5 (2015): 769–80.

Perkins, C., Verevis, C., 2015. Transnational Television Remakes. Continuum 29.5 (2015): 677–83.

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Verevis, C., 2014, The Man From Hong Kong, Metro no. 180 (April), NFSA Kodak/Atlab Cinema Collection, Part 26, Australian Teachers of Media, Australia, pp. 104–13.Metro180

Verevis, C., 2013, Blockbuster remakes, Academic Quarter, issue 7 (Fall). Online.

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Vassilieva, J., Verevis, C., 2010, After taste: cultural value and the moving image, Continuum: Journal of Media and Cultural Studies, vol 24, issue 5, Routledge, UK, pp. 643-652.

ContinuumAfter

Danks, A., Verevis, C., 2010, Australian International Pictures, Studies in Australasian Cinema, vol 4, issue 3, Intellect, Bristol, United Kingdom, pp. 195-198.

Verevis, C., 2010, Dead on arrival: the fate of Australian film noir, Studies in Australasian Cinema, vol 4, issue 3, Intellect Ltd., United Kingdom, pp. 243-254.

SAC4.3

Verevis, C., Williams, D., 2010, Contemporary Australian film theory and criticism, Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, vol 136, School of Journalism and communication, University of Queensland, St Lucia, Qld, Australia, pp. 177-190.

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Perkins, C., Verevis, C.E., 2010, Documenting Filmmakers, Studies in Documentary Film, vol 4, issue 2, Intellect, Ltd., Bristol, UK, pp. 205-208.

Verevis, C., 2010, ‘Moldy Art’: the exotic world of Jack Smith, Studies in Documentary Film, vol 4, issue 2, Intellect, Bristol, UK, pp. 173-186.

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Verevis, C., 2010, Mad Dog Morgan, Metro, no. 164 (March), NFSA Kodak/Atlab Cinema Collection, Part 13, Australian Teachers of Media, Australia, pp. 80-88.

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Verevis, C., 2010, Screen theory goes to Australia, Framework: The Journal of Cinema and Media, vol 51, issue 2, Wayne State University Press, Detroit, USA, pp. 420-437.

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Verevis, C.E., 2008, Disorder: Joy Division, Studies in Documentary Film, vol 2, issue 3, Intellect, Bristol UK, pp. 233-246.

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Williams, D.M., Verevis, C.E., King, N., 2008, Introduction to Australian Film Theory and Criticism Project Interviews, Screening the Past, issue 23, Media Studies Program – La Trobe University. Online.

Verevis, C.E., 2008, Review of Charles Dickens’ Great Expectation by Brian McFarlane, Metro, no. 158, ATOM Australian Teachers of Media, Melbourne VIC Australia, pp. 159-160.

King, N., Verevis, C.E., Williams, D.M., 2008, Through the lens, Metro, no. 158, ATOM Australian Teachers of Media, Melbourne VIC Australia, pp. 124-125.

Metro158

Verevis, C.E., 2008, Review of The Cinema Book by Pam Cook, Senses of Cinema, issue 48, Senses of Cinema, Inc, Melbourne VIC Australia. Online.

Verevis, C.E., 2006, Writing the revival, Metro, no. 150, Australian Teachers of Media, Australia, pp. 168-169.

Metro150

Verevis, C.E., 2004, Remaking film, Film Studies, vol 2004, issue 4, Manchester University Press, Manchester UK, pp. 87-103.

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Verevis, C.E., 2002, (Re)made in the USA, Metro, no. 131/132, ATOM, Melbourne Vic Australia, pp. 318-319.

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Verevis, C.E., 2002, (Re)made in the USA, Framework: The Journal of Cinema and Media, vol 43, issue 1, Wayne State University Press, Detroit USA, pp. 186-188.

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Verevis, C.E., 2002, Candy, or Libertinism, Bright Lights Film Journal, vol November, issue 38, Gary Morris and Gregory Battle, Portland USA, pp. 1-7.

Verevis, C.E., 2002, Flaming Creatures, Senses of Cinema, vol July-Aug, issue 21, Senses of Cinema Inc., Melbourne Vic Australia, pp. 1-3.

Verevis, C.E., 2002, Psycho (Redux), Hitchcock Annual, vol 2001-02, Hitchcock Annual Corporation, United States, pp. 155-158.

HitchAnnual

Verevis, C.E., 2001, After the nickel boom, Australian Studies, vol 16, issue 1, British Australian Studies Association, UK, pp. 125-142.

AusStudies

Verevis, C., 2001, Once more on to the beach, Metro, no. 127/128, Australian Teachers of Media, St Kilda Vic Australia, pp. 156-161.

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Verevis, C.E., 2001, Not just (an) other film analyst. Review of The Analysis of Film by Raymond Bellour, Film Criticism, vol XXV, issue 2, Allegheny College, Meadville USA, pp. 63-71.

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Verevis, C.E., 2000, Head On: A (too) personal view, Senses of Cinema, vol Sept-Oct 2000, issue # 9, Senses of Cinema Inc. On-line publication, Melbourne Vic Australia, pp. 1-3. http://sensesofcinema.com/2000/contemporary-australian-cinema/symposium/

Verevis, C., 2000, Television features: A survey, Metro, no. 123, Australian Teachers of Media (ATOM) Inc., Melbourne Vic Australia, pp. 34-41.

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Verevis, C.E., 2000, Psycho redux, Metro, no. 121/122, ATOM, Melbourne Vic Australia, pp. 144-145.

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Verevis, C., 1999, After the nickel boom, Metro, no. 118, Australian Teachers of Media, Melbourne Vic Australia, pp. 18-22.Verevis, C., 2000, Television features: A survey, Metro, vol no 123, Australian Teachers of Media (ATOM) Inc., Melbourne Vic Australia, pp. 34-41.

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Verevis, C.E., 1997, A cinema of seeing, antiTHESIS, vol 8, issue 2, The Department of English and Cultural Studies, Melbourne University, Melbourne University Parkville Vic, Australia, pp. 101-111.

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Verevis, C., 1997, Myst opportunities, Practice, no. 2 (Spring-Summer), Deakin University, Melbourne Vic Australia, pp. 27-28.

Practice

Verevis, C., 1997, Re-viewing remakes, Film Criticism, vol 21, no. 3, Allegheny College, Meadville PA USA, pp. 1-19.

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Verevis, C., 1996. “Re-viewing Remakes.” (conference version) Media International Australia 80, pp. 60–65.

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Verevis, C., 1996. Q-tips, Metro, no. 107, Australian Teachers of Media (ATOM) Inc., Melbourne Vic Australia.

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Book Chapters

Verevis, C., 2017. “New Millennial Remakes.” Media of Serial Narrative. Ed. Frank Kelleter. Ohio State UP. 148–66.

Media of Serial

Verevis, C., 2017. Trading Places: Das Doppelte Lottchen and The Parent Trap. Transnational Film Remakes. Ed. Iain Robert Smith and Constantine Verevis. Edinburgh: Edinburgh UP. 130–43.

Smith, I. R., Verevis, C., 2017. Introduction: Transnational Film Remakes. Transnational Film Remakes. Ed. Iain Robert Smith and Constantine Verevis. Edinburgh: Edinburgh UP. 1–18.

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Verevis, C., 2017. Remakes, Sequels, Prequels. The Oxford Handbook of Adaptation Studies. Ed. Thomas Leitch. Oxford UP. 267–84.

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Verevis, C., 2016. ‘Weird Andy Hardy’: Ed Wood and American National Identity. Invented Lives, Imagined Communities: The Biopic and American National Identity. Ed. William H. Epstein and R. Barton Palmer. Albany, NY: SUNY P. 73–90.

Invented Lives

Verevis, C., 2016. Vicious Cycle: Jaws and Revenge-of-Nature Films of the 1970s. Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television. Ed. Amanda Ann Klein and R. Barton Palmer. Austin: U of Texas P.

Multiplicities

Verevis, C. 2015. Jesus’ Son: ‘I knew every raindrop by its name.’ US Independent Film After 1989: Possible Films. Ed. Constantine Verevis and Claire Perkins. Edinburgh: Edinburgh University Press.

Perkins, C., Verevis, C. 2015. “Introduction: Possible Films.” US Independent Film After 1989: Possible Films. Ed. Constantine Verevis and Claire Perkins. Edinburgh: Edinburgh University Press.

US Indie

Verevis, C. 2014. BADaptation: Is Candy Faithful? B Is for Bad Cinema: Aesthetics, Politics and Cultural Value. Ed. Constantine Verevis and Claire Perkins. State University of New York Press.

Perkins, C., Verevis, C. 2014. Introduction: B Is for Bad Cinema. B Is for Bad Cinema: Aesthetics, Politics and Cultural Value. Ed. Constantine Verevis and Claire Perkins. State University of New York Press.

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Verevis, C. 2014. For ever Hitchcock: Psycho and its remakes, in Alfred Hitchcock, 4 volumes. Critical Evaluations of Leading Filmmakers. Ed. Neil Badmington. London: Routledge.

Badmington

Verevis, C. 2012. A personal matter: H Story, in Film Remakes, Adaptations, and Fan Productions: Remake/Remodel. eds. Kathleen Loock and Constantine Verevis. Palgrave-Macmillan.

Loock, K., Verevis, C. 2012. Introduction: Remake/Remodel, Film Remakes, Adaptations, and Fan Productions: Remake/Remodel. eds. Kathleen Loock and Constantine Verevis. Palgrave-Macmillan.

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Verevis, C. 2012. Raoul Walsh, in Film Noir: The Directors. eds. Alain Silver and James Ursini. New York: Limelight, 2012.

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Vassilieva, J., Verevis, C. 2012. Introduction: After taste: cultural value and the moving image, in After Taste: Cultural Value and the Moving Image. Ed.s J. Vassilieva and C. Verevis. London; Routledge.

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Verevis, C. 2012. Bizarre love triangle: The Creature trilogy, in Film Trilogies: New Critical Approaches. eds. Claire Perkins and Constantine Verevis. Basingstoke: Palgrave-Macmillan, pp. 68–87.

Perkins, C. Verevis. 2012. Three times, in Film Trilogies: New Critical Approaches. eds. Claire Perkins and Constantine Verevis. Basingstoke: Palgrave-Macmillan, pp. 1–34.

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Verevis, C., 2011, Ricordo-Immagine: memorie sullo schermo, remake cinematografici, in L’ombra del Passato: La Nostalgia tra Cinema e Televisione, eds Leonardo Gandini, Daniela Cecchin, Matteo Gentilini, Fondazione Museo Storico, Trento Italy, pp. 11-19.

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Verevis, C., 2011, Under a distemperate star: Under Capricorn, in Hitchcock at the Source: The Auteur as Adaptor, eds R. Barton Palmer and David Boyd, SUNY Press, Albany NY USA, pp. 173-188.

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Jess-Cooke, C., Verevis, C., 2010, Introduction, in Second takes: critical approaches to the film sequel, eds Carolyn Jess-Cooke, Constantine Verevis, SUNY Press, Albany, United States, pp. 1-10.

Verevis, C., 2010, Redefining the sequel: The case of the (living) dead, in Second Takes: Critical Approaches to the Film Sequel, eds Carolyn Jess-Cooke and Constantine Verevis, SUNY Press, Albany NY USA, pp. 11-29.

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King, N., Verevis, C.E., Williams, D.M., 2009, Mapping film studies in Australia: institutions, personnel and critical positions, in Creative Nation: Australian Cinema and Cultural Studies Reader, eds Amit Sarwal and Reema Sarwal, SSS Publications, New Delhi, India, pp. 1-12.

AusCinema

Verevis, C.E., 2009, Second chance: remaking Solaris, in Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and Fantasy Films Remade, eds Scott A. Lucas and John Marmysz, Lexington Books, Lanham MD, pp. 167-179.

Fear

King, N., Verevis, C.E., Williams, D.M., 2008, Australia, in The SAGE Handbook of Film Studies, eds James Donald and Michael Renov, Sage, London UK, pp. 112-122.

SAGE book

Verevis, C.E., 2007, Way of Life: Goodfellas and Casino, in Gangster Film Reader, eds Alain Silver and James Ursini, Limelight Editions, New York, USA, pp. 209-223.

Gangster

Verevis, C.E., 2006, For ever Hitchcock: Psycho and its remakes, in After Hitchcock: Influence, Imitation and Intertexuality, eds David Boyd and R. Barton Palmer, University of Texas Press, Austin, Texas USA, pp. 15-29.

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Verevis, C.E., 2005, Mike Figgis: Time Code and the screen, in New Punk Cinema, eds Nicholas Rombes, Edinburgh University Press, Edinburgh UK, pp. 168-179.

New Punk

Verevis, C.E., 2004, Through the past darkly: noir remakes of the 1980s, in Film Noir Reader 4: The Crucial Films and Themes, eds Alain Silver and James Ursini, Limelight Editions, New Jersey USA, pp. 307-322.

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Other

Verevis, C., 2017. “The images of the world have returned … every one of them.” Représentations dans le monde anglophone: La revue électronique du CEMRA (Janvier 2017).

Verevis, C.E., 2015. Remakes. Directory of World Cinema: American Hollywood 2. Ed. Lincoln Geraghty. Bristol: Intellect.

Verevis, C.E., 2015. TV to Film. Directory of World Cinema: American Hollywood 2. Ed. Lincoln Geraghty. Bristol: Intellect.

American Cinema 2

Verevis, C.E., 2011, Cinema, Minoritarian cinema, Repetition and cinema, Sensation and cinema, The Deleuze Dictionary, Revised Edition, Ed. A. Parr, Edinburgh University Press, Edinburgh Scotland, pp. 49–51, 168–70, 226–28, 249–51.

Deleuze Rev

Verevis, C.E., 2011, Planet of the Apes. Directory of World Cinema: American Hollywood, vol 5, Intellect Ltd., Fishponds, Bristol, UK, pp. 101-102.

American Hollywood

Verevis, C.E., 2009, The Jack and Andy club. La Furia Umana no.2, Italy.

Verevis, C.E., 2009, Dawn of the Dead 1978 (Italy US). Reference book entry: 101 horror movies you must see before you die. General Editor, Steven Jay Schneider, The Penguin Group, Camberwell Vic, Australia.

101 horror

Verevis, C.E., 2009, Planet of the Apes 1968 (U.S.). Reference book entry: 101 sci-fi movies you must see before you die, The Penguin Group, Camberwell Vic, Australia.

101 sci-f

Verevis, C.E., 2009, Thieves Like Us 1974 (U.S.). Reference book entry: 101 gangster movies you must see before you die, The Penguin Group, Camberwell Vic, Australia.

101 gangster

Verevis, C.E., 2007, Paul Schrader. 501 Movie Directors, Quintessence, London UK, p. 497.

501 directors

Verevis, C.E., 2005, Cinema, Minoritarian cinema, Repetition and cinema, Sensation and cinema, The Deleuze Dictionary, Ed. A. Parr, Edinburgh University Press, Edinburgh Scotland, pp. 44–46, 165–67, 225–27, 246–48.

Deleuze 1st

Verevis, C.E., 2002, Andy Warhol, Senses of Cinema, issue 23, Senses of Cinema Inc., Melbourne Vic Australia, pp. 1-9. online. http://sensesofcinema.com/2002/great-directors/warhol/

Warhol

Verevis, C., 2002. “Flaming Creatures.” Senses of Cinema 21 (July-August 2002). http://sensesofcinema.com/2002/cteq/flaming/

FlamingCreatures