Teaching

Current Supervision

Research PhD: “Want to play a game?” Torture porn, violence, media convergence and spectatorship. Supervisors: Davis, T (Main), Williams, D (Associate).

Research PhD: Changing concepts of romance in romantic comedies. Supervisors: Williams, D (Main), Smaill, B (Associate).

Research PhD: China’s Digital Documentary Movement. Supervisors: Khoo, O (Main), Williams, D (Associate).

Research PhD: Contemporary Indian political documentary: the film subject and the factors that shape its politics. Supervisors: Williams, D (Main), Smaill, B (Associate).

Research PhD: Discrete thoughts: Digital language in the moving image. Supervisors: Williams, D (Main), Verevis, C (Associate).

Research PhD: Documentary film and the digital age. Supervisors: Williams, D (Main), Verevis, C (Associate).

Research PhD: Horror, cultural anxieties and translation – hollywood remakesof east asian horror films. Supervisors: Williams, D (Main), Verevis, C (Associate).

Research PhD: Memories and Mythology: How American Cinema turns History into Legend. Supervisors: Verevis, C (Main), Williams, D (Associate).

Research PhD: Revolution in Peter Watkins’ ‘La Commune’. Supervisors: Martin, A (Joint), Williams, D (Joint-co).

Research PhD: Shaping Australian film production: making, marketing and viewing. Supervisors: Williams, D (Main), Davis, T (Associate).

Research PhD: Ten Fingers & Nine Toes: Fragmentation and Unity in the Represenation of Pregnancy in the Cinema. Supervisors: Williams, D (Main), Maher, J (Associate).

Research PhD: The films of Teguh Karya. Supervisors: Williams, D (Main), Khoo, O (Associate).

Research PhD:  The influence of musical form on cinema. Supervisors: Verevis, C (Joint), Williams, D (Joint-co).

Research PhD: The unexplained film music moment. Supervisors: Williams, D (Main), Perkins, C (Associate).

Completed Supervision

Boz, T. Program of Study: The politics of independent documentary film production and distribution. (PHD) 2008. Supervisors: Williams, D (Main), Lentini, P (Associate).

Bullock, N. Program of Study: (Masters) 2002. Supervisors: Marsh, A (Joint), Williams, D (Joint-Co).

Curnow, J. Program of Study: (Masters) 2010. Supervisors: Verevis, C (Main), Williams, D (Associate).

Hildebrandt, M. Program of Study: STRANDS OF REALISM: THE INSTRUCTIONAL, THE NARRATIVE, AND THE POETIC IN BRITISH CINEMA, 1929-2003. (PHD) 2003. Supervisors: Williams, D (Main), Mcfarlane, B (Associate).

Jacobsen, L. Program of Study: THE DISPLACED CITY: HIGH-RISE ARCHITECTURE IN MELBOURNE FILM, 1955-1985. (PHD) 2006. Supervisors: Williams, D (Main).

Johnston, M. Program of Study: Peripheral visions: the refugee-focussed documentary film in ‘Howard’s Australia’. (PHD) 2009. Supervisors: Smaill, B (Main), Williams, D (Associate).

Kelly, P. Program of Study: The Years My Voice Broke: The Films of Nick Broomfield.. (Masters) 2001. Supervisors: Williams, D (Main).

Pearce, K. Program of Study: (Masters) 2004. Supervisors: Milner, A (Main), Williams, D (Joint).

Pearce, K. Program of Study: Girl meets beast…The beast and the cultural forest of female sexuality: the mythic cycle, process of curtailment and power of the pelt. (PHD) 2010. Supervisors: Milner, A (Main), Williams, D (Associate).

Smaill, B. Program of Study: AMIDST A NATION’S CULTURES: DOCUMENTARY AND AUSTRALIA’S SPECIAL BROADCASTING SERVICE TELEVISION. (PHD) 2001. Supervisors: Dever, M (Joint), Williams, D (Joint-Co).

Treacey, M. Program of Study: Out of synch: screen history. (PHD) 2009. Supervisors: Peel, M (Joint-Co), Williams, D (Joint).

Winnett, F. Program of Study: MYTHS OF THE BEACH: A COASTAL SENSE OF PLACE IN AUSTRALIAN FILM AND TELEVISION. (PHD) 2003. Supervisors: Rigby, C (Joint), Williams, D (Joint-Co).