Professor Leah Garrett

  • I am the Loti Smorgon Research Professor of Contemporary Jewish Life and Culture. My research focuses on the relationship between Yiddish, English, German, and Hebrew literature and the modern world.  I teach courses on 20th century American literature considering in particular the ties between ethnicity and poverty in contemporary life.

    I recently arranged with the Wheeler Center to have the students in my Race and Class in American Literature course have a private class and question and answer session with the prominent American author Jonathan Lethem whose novel, The Fortress of Solitude, the students studied in the class. Lethem spent a large block of time with the students answering their questions about a range of issues and discussing his writing with them.

    students with Lethem

    My most recent essay, ‘Joseph Heller’s Jewish War Novel Catch-22 published with the Journal of Modern Jewish Studies can be read on line here: Link here

    I was recently made an Honorary Professor of History at Warwick University:

    Current Project:

    SC180622t (1)I have just completed a new book on Jewish American war novels tentatively entitled Young Lions: How Jewish American Writers Invented the World War II Novel.  The book will be published shortly with Northwestern University Press:Link here . In this work I discuss the critical and popular dominance of Jewish authored war novels in the United States and show how Jewish war novels created the template through which Americans understood World War II.

    For a link to a Harvard Crimson write-up about my talk on the project at Harvard University:

    For my lecture on the project at the University of Washington:

    Wagner and the Jews:

    wagnerMy last book, A Knight at the Opera, examined the relationship between Richard Wagner and major Jewish cultural figures.  I was asked to write a piece for The Guardian about whether we should divorce Wagner’s antisemitism from our appreciation of his music.  This is the tab to read the article in The Guardian:

    On Sunday November 24th, I was part of a panel at the Melbourne Town Hall partaking in an Oxford style debate run by the Wheeler Centre on the question of whether one can separate Richard Wagner’s political views from his art.  Our side won the debate, arguing that one can not separate the two.

    Click here for the link to the Wheeler Centre page

    On November 11, 2013, I appeared on the Radio National program “The Drawing Room” to discuss if art and politics can and should mix.  To hear the radio program:

    My Books:

    knight at the operaA Knight at the Opera: Heine, Wagner, Herzl, Peretz and the Legacy of Der Tannhäuser  (Purdue University Press, 2011) In this book I discuss the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. 

    Click here for the book on Amazon



    the crossThe Cross and Other Jewish Stories by Lamed Shapiro, editor  (Yale University Press, 2007)  This volume that I edited focuses on the groundbreaking and controversial Yiddish writer, Lamed Shapiro, whose stories run the gamut from pogroms in Russia to hardship tales of life in New York and Los Angeles.

    Click here for the book on Amazon


    journeysJourneys beyond the Pale: Yiddish Travel Writing in the Modern World (University of Wisconsin Press, 2003) In this book I explore how Yiddish writers in Eastern Europe and the United States used motifs of travel to express their complicated relationships with modernization.

    Click here for the book on Amazon