Professor Leah Garrett

  • My recent book, Young Lions: How Jewish Authors Reinvented the American War Novel, just won this years Jordan Schnitzer award in Modern Jewish History and Culture as chosen by a panel of judges at the Association for Jewish Studies. I’m over the moon!















    I was recently interviewed for this upcoming documentary for PBS about Jewish soldiers in World War II (that also includes interviews with Mel Brooks, Carl Reiner, Kissinger and others). PBS will likely air it next January.



    I am the Loti Smorgon Research Professor of Contemporary Jewish Life and Culture. My research focuses on the relationship between Yiddish, English, German, and Hebrew literature and the modern world.  I teach courses on 20th century American literature considering in particular the ties between ethnicity and poverty in contemporary life.

    Young Lions: How Jewish Authors Reinvented the American War Novel, is now up and listed on Amazon. (My book is sold out at the Northwestern UP website but there are still copies for sale on Amazon.)

    Maggie McKinley in the academic journal MELUS: Multi Ethnic Literature of the United States just reviewed Young Lions: “In lucid and engaging prose, grounded in insightful close readings, archival research, and instructive historical context, Garrett analyzes how the protagonists of these novels navigate the impulse to maintain their individual Jewish identities while being pressured to assimilate to a more “universal” American ideal.”

    THE WASHINGTON TIMES gave Young Lions this review:

    Some quotes from The Washington Times review of my book Young Lions:

    “Leah Garrett is a professor of Contemporary Jewish Life and Culture at Australia’s Monash University, but “Young Lions” shows that she has a rare understanding not just of American Jewish life and culture during World War II and its aftermath, but of U.S. society in all its glorious complexity for all seasons. She makes a convincing case for the thesis summed up in her probingly intelligent book’s subtitle, starting with the statement that in 1948, there no fewer than five best-selling novels “all written by Jews [which] made Jewish soldiers central protagonists and which together created the new genre of World War II fiction.” . . .

    In today’s academic environment she is a refreshing exception to the prevailing tendentiousness and fashionable prejudices, a model of accurate and fair characterization.”

    THE FORWARD NEWSPAPER gave Young Lions this review:

    Some quotes from The Forward review of my book Young Lions:

    “For anyone who still believes the myth that American Jews didn’t talk about the Holocaust until 1961 or 1967, pile these best-sellers onto the mountain of evidence that Jews were fascinated and shaken by the genocide and began to respond vociferously as soon as they learned about it. An important new book… Garrett makes her case very well.” 

    This is a link to a new article I wrote for The Forward newspaper about Mad Magazine, Al Jaffee, and Jewish Culture:


    This is the full review of Young Lions in THE WALL STREET JOURNAL:


    The Sydney Morning Herald just reviewed Young Lions:

    For a recent interview about YOUNG LIONS in THE FORWARD NEWSPAPER:

    For a recent interview about Young Lions on the Podcast New Books in Jewish Studies:



    See info on the book below along with some recent blurbs:

    Deborah Dash Moore, Professor and Director of Jewish Studies at the University of Michigan and The New York Times best-selling author of GI Jews: How World War II Changed a Generation said this: “Young Lions persuasively presents a fresh interpretation that illuminates previously hidden aspects of these [novels]. Leah Garrett’s lucid study will change how we think about World War II, the Holocaust and American Jews.”

    Harvard Professor of English, American and African American studies, Werner Sollers, said this: “theoretically sophisticated and probing, Young Lions is full of insights that are of interest to the literary scholar, the historian, and the student of American ethnic relations.”

    Stanford Professor of Jewish Culture and History, Steven J. Zipperstein, wrote of the book: “A masterful exercise in excavation by a superb literary and cultural historian. Here is an extraordinary tour of literary terrain so familiar and accessible to the common reader and so mariginalised in literary criticism. Leah Garrett opens up for a crucial chapter in American Jewish cultural expression with consistent intelligence and infectious enthusiasm.”


    I recently arranged with the Wheeler Center to have the students in my Race and Class in American Literature course have a private class and question and answer session with the prominent American author Jonathan Lethem whose novel, The Fortress of Solitude, the students studied in the class. Lethem spent a large block of time with the students answering their questions about a range of issues and discussing his writing with them.

    students with Lethem

    My most recent essay, ‘Joseph Heller’s Jewish War Novel Catch-22 published with the Journal of Modern Jewish Studies can be read on line here: Link here

    I was recently made an Honorary Professor of History at Warwick University:

    For a link to a Harvard Crimson write-up about my talk on the project at Harvard University:

    For my lecture on the project at the University of Washington you can see it on youtube, here.

    Current Projects: 

    I am writing a new book about Mad Magazine and postwar American culture.

    Wagner and the Jews:

    wagnerMy book, A Knight at the Opera, examined the relationship between Richard Wagner and major Jewish cultural figures.  I was asked to write a piece for The Guardian about whether we should divorce Wagner’s antisemitism from our appreciation of his music.  This is the tab to read the article in The Guardian:

    On Sunday November 24th, I was part of a panel at the Melbourne Town Hall partaking in an Oxford style debate run by the Wheeler Centre on the question of whether one can separate Richard Wagner’s political views from his art.  Our side won the debate, arguing that one can not separate the two.

    Click here for the link to the Wheeler Centre page

    On November 11, 2013, I appeared on the Radio National program “The Drawing Room” to discuss if art and politics can and should mix.  To hear the radio program:

    My Books:

    knight at the operaA Knight at the Opera: Heine, Wagner, Herzl, Peretz and the Legacy of Der Tannhäuser  (Purdue University Press, 2011) In this book I discuss the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. 

    Click here for the book on Amazon



    the crossThe Cross and Other Jewish Stories by Lamed Shapiro, editor  (Yale University Press, 2007)  This volume that I edited focuses on the groundbreaking and controversial Yiddish writer, Lamed Shapiro, whose stories run the gamut from pogroms in Russia to hardship tales of life in New York and Los Angeles.

    Click here for the book on Amazon


    journeysJourneys beyond the Pale: Yiddish Travel Writing in the Modern World (University of Wisconsin Press, 2003) In this book I explore how Yiddish writers in Eastern Europe and the United States used motifs of travel to express their complicated relationships with modernization.

    Click here for the book on Amazon