Musical Journeys in Sumatra: Audio and Audiovisual examples

To download a selected media example, click on the example title link to be redirected to the media file entry in the Monash University Research Repository . 

Audio Examples*

2.1 Prayer Chant Followed By Dendang Marindu Harimau

3.1 Excerpts from a Cindua Mato performance

3.2 A rantak kudo excerpt

3.3 Tari piring diatas piriang

3.4 A talempong pacik excerpt

3.5 Four talempong duduak excerpts

4.1 Excerpt of sections 1 through 10 of a tabuik drumming performance

5.1 Aluambek dancing accompanied by an indang group’s vocal excerpts

5.2 Salawek dulang

5.3 Dikia Mauluik

5.4 Dabuih excerpts

6.1 “Nyanyi Panjang Bersahutan”

6.2 “Lagu Gadiombi

6.3 Sama Sepukul: music accompanying displays of self-defense

6.4 Ratip (healing song)

7.1 Excerpt from a guritan performance

7.2 Tari adat Besemah

7.3 A rejunk excerpt based on cang-incang verses, sung by a male vocalist at a wedding in Kayuagung, 1971

7.4 “Mantau Kundang” played on a ginggung

7.5 “Mantau Kundang” played on a harmonika

7.6 “Lagu Tari Tanggai” played on a harmonika

7.7 “Irama Mayok-Tari Penguton” played by an orkes gambus

7.8 Tari tanggai played by an orkes gambus

7.9 “Tari Zapin Lagu Alaika”

7.10 “Tari Zapin Lagu Pulut Hitam”

7.11 “Siti Zubaidah”

7.12 “Wayang-Lagu Bertempur”

8.1   “Tari Gending Sriwijaya”

10.1 “Lagu Pulau Pinang Tari Payung”

11.1 “Gordang Sambilan Irama Pamilihon”

11.2 “Gordang Sarama” played on a set of gordang lima

11.3 “Irama Alap-Alap Tondi” played by a gondang dua ensemble

11.4 Gondang buluh irama Mandailing (Mandailing bamboo drum rhythm)

 

Audiovisual Excerpts*

(Higher resolution AV examples can be downloaded or viewed via the ARROW repository, simply click on the video title link)

9.1 Tari campak asli dancing outside the pavilion

 

9.2 Ensemble accompanying the campak asli dancing

 

9.3a Campak asli dancing on the beach

 

9.3b Campak asli dancing on the beach with camera focusing on the instrumentalists

 

9.4 Tanjidor band

 

IV.1 Seudati – rapid movements

 

IV.2 Seudati – slower  movements

 

IV.3 A performance of meuseukat

 

IV.4 Seudati demonstration of Keutep Jaro

 

IV.5 Seudati demonstration of Dada Seribu

 

12.1 Segment of a phô dance performance

 

12.2 A phô dance performance at a government function

 

13.1 Rapa’i Pasè

 

13.2 Rapa’i dabôh

 

13.3 Rapa’i geurimpheng

 

13.4 Diké angguk

 

*Abstract notes prepared by Bronia Kornhauser MA.

More Information

About the Book

 

  • Musical Journeys in Sumatra

    This unique book showcases the complex diversity of Indonesian music and includes field observations from six different provinces: Aceh, North Sumatra, Riau, West Sumatra, South Sumatra and Bangka-Belitung.

  • The Gamelan Digul and the Prison Camp Musician Who Built It

    This is the story of a particular Javanese group of ‘matching’ musical instruments called the gamelan Digul, and their creator, the Indonesian musician and political activist Pontjopangrawit (1893-ca. 1965).

  • Gamelan Digul (Indonesian Translation)

    This is the Indonesian translation of the 2002 book “The Gamelan Digul and the Prison Camp Musician Who Built It” by Margaret Kartomi.

  • On Concepts and Classifications of Musical Instruments

    Kartomi first moves through a culture-specific inspection of several societies in Europe, Asia, and Africa, and then, synthesizing current ethnomusicological trends, proceeds to make a large-scale comparative study of classification schemes and the concepts which govern them.

  • Musical Instruments of Indonesia: An Introductory Handbook

    Published by the Indonesian Arts Society to mark its tenth year of activities, this book accompanied an exhibition of a representative range of Indonesian musical instruments, including pipes, xylophones, metal-keyed instruments, gongs, drums, zithers and many more.

  • Matjapat songs in Central and West Java

    This book discusses the uses and functions of songs in Javanese and Sundanese matjapat poetic metres such as Dandanggula, Sinom, Kinanti, Durma, Maskumambang and Mijil,