Publications

Articles

  • Spedding, P., 2018, The Callous Appetites of Debauched Readers:  Edmund Curll and The Potent Ally, Journal of the History of Sexuality, vol. 27, issue 1, University of Texas Press, Austin, Texas. [forthcoming in 2018]
  • Spedding, P., 2017, Imagining Eliza Haywood, Eighteenth-Century Fiction, vol. 29, issue 3, University of Toronto Press, Ontario, Canada, pp. 345–72. [DOI: 10.3138/ecf.29.3.345]
  • Spedding, P., 2016, Twice-Told Tales in Eliza Haywood’s Leonora Meadowson, Notes and Queries, vol. 63, issue 4, Oxford University Press, pp. 619–22. [DOI: 10.1093/notesj/gjw212]
  • Spedding, P., 2016, Unfortunate Delays In Publishing The Bibliothèque Britannique, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 40, issue 3, Bibliographical Society of Australia and New Zealand, St Lucia QLD Australia, 154–73.
  • Spedding, P., 2016, Postscript on Thomas Gardner’s Printing, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 40, issue 1, Bibliographical Society of Australia and New Zealand, St Lucia QLD Australia, pp. 43–45.
  • Spedding, P., 2015, Thomas Gardner’s ornament stock: A Checklist, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 39, issue 2, Bibliographical Society of Australia and New Zealand, St Lucia QLD Australia, pp. 69–111.
  • Spedding, P., 2015, Thomas, Lucy and Henry Lasher Gardner, Opposite St. Clement’s Church in the Strand, 1739–1805, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 39, no.1, Bibliographical Society of Australia and New Zealand, Melbourne, 21–58.
  • Spedding, P., Poletti, A., 2014, Introduction: Revealing the Reader, Australian Humanities Review, vol. 56, Australian National University, Canberra, 25–26.
  • Spedding, P., 2014, Eliza Haywood’s Eighteenth-Century Readers in Pennsylvania and New York, Australian Humanities Review, vol. 56, Australian National University, Canberra, 69–120.
  • Spedding, P., 2014, Eliza Haywood’s Eighteenth-Century Readers in Pennsylvania and New York: Appendixes, Australian Humanities Review, vol. 56, Australian National University, Canberra, 95–120.
  • Spedding, P., 2014, Cancelled Errata in John Buncle, Junior, Gentleman, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 38, no. 2, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 115–121.
  • Spedding, P., 2011, “The New Machine”: Discovering the limits of ECCO, Eighteenth-Century Studies, vol. 44, no. 4, The John Hopkins University Press, United States, pp. 437–53.
  • Spedding, P., 2011, Eliza Haywood at the Sign of Fame, 1650–1850: Ideas, Aesthetics and Inquiries in the Early Modern Era, vol. 18, AMS Press, United States, pp. 29–55.
  • Spedding, P., Lambert, J., 2011, Fanny Hill, Lord Fanny, and the Myth of Metonymy, Studies In Philology, vol. 108, no. 1, University of North Carolina Press, United States, pp. 108–32. [DOI: 10.1353/sip.2011.0001]
  • Spedding, P., 2011, The Publication of Teresia Constantia Phillips’s Apology (1748–49), Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 35, no. 1, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 23–38.
  • Spedding, P., 2010, The Many Mrs. Greys: Confusion and Lies about Elizabeth Caroline Grey, Catherine Maria Grey, Maria Georgina Grey, and others, The Papers of the Bibliographical Society of America, vol. 104, no. 3, The Bibliographical Society of America, USA, pp. 299–340.
  • Spedding, P., 2009, Lady Mary Wortley Montagu, Manuscript Publication and the Vanity of Popular Applause, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 33, nos. 1–4, Bibliographical Society of Australia and New Zealand, pp. 136–60.
  • Spedding, P., 2008, To (Not) Promote Breeding: Censoring Eliza Smith’s Complete Housewife (1727), Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 31, no. 4, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 233–42.
  • Spedding, P., 2007, A Reading of Gay’s Fables, Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 30, no. 3, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 181–185.
  • Spedding, P., 2003, A note on the ornament usage of Henry Woodfall, Bibliographical Society of Australia and New Zealand Bulletin, vol. 27, nos. 1–2, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 109–16.
  • Spedding, P., 2001, Shameless Scribbler or Votary of Virtue? Eliza Haywood, Writing (and) Pornography in 1742, Meridian, vol. 18, no. 1, La Trobe University, Bundoora, Vic., Australia, pp. 237–51.
  • Spedding, P., 2000, False Imprints: A Note on the Use of ‘N. Dobb’, Bibliographical Society of Australia and New Zealand Bulletin, vol. 24, no. 2, Bibliographical Society of Australia and New Zealand, Melbourne, pp. 267–72.

Books

  • Spedding, P. , [forthcoming in 2017]The Private Case. Foxcroft Lecture on Bibliography and Book History for 2016, Ancora Press, Monash University in association with the State Library of Victoria, Melbourne.
  • Spedding, P., Watt, P., Scott, D.B. (eds), 2017, Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster, Cambridge University Press, Cambridge, United Kingdom.
  • Spedding, P., Watt, P. (eds), 2011, Bawdy Songbooks of the Romantic Period (series editor), Pickering & Chatto, London United Kingdom.
  • Spedding, P., 2004, A Bibliography of Eliza Haywood, Pickering and Chatto, London, United Kingdom.
  • Spedding, P., Alexander, P. (eds), 2004, Eighteenth-Century British Erotica II (series editor), Pickering & Chatto, London, United Kingdom.
  • Spedding, P., Alexander, P. (eds), 2002, Eighteenth-Century British Erotica (series editor), Pickering & Chatto,London, United Kingdom.
  • Spedding, P. (ed), 2002, The Geography and Natural History of Mid-Eighteenth-Century Erotica (Eighteenth-Century British Erotica, Volume 3), (volume editor), Pickering & Chatto, London United Kingdom.

Chapters

  • Spedding, P., [forthcoming in 2018], The Availability of Haywood’s Works, Editing and Issues of Bibliography, in Approaches to Teaching Eliza Haywood, edited by Tiffany Potter, Modern Language Association of America, New York, New York.
  • Spedding, P., Watt, P., Scott, D.B. (eds), 2017, Cheap Print and Popular Song in the Nineteenth Century, in Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster, Cambridge University Press, Cambridge, United Kingdom, pp. 1–7.
  • Spedding, P., Watt, P., 2011, General introduction: historical, social and musical contexts of a forgotten repertory, in Bawdy Songbooks of the Romantic Period, Vol 1, eds Patrick Spedding and Paul Watt, Pickering & Chatto Publishers, London, United Kingdom, pp. 1–11.
  • Spedding, P., 2006, Measuring the Success of Haywood’s Female Spectator (1744-46), in Fair Philosopher: Eliza Haywood and the Female Spectator, eds Lynn Marie Wright and Donald J. Newman, Bucknell University Press, Cranbury New Jersey, pp. 193–211.
  • Spedding, P., 2002, Introduction, in Eighteenth-Century British Erotica: The Georgraphy of Natural History of Mid-Eighteenth Century Erotica, eds Barbara Benedict, Kevin Cope, Chris Mounsey, Rictor Norton and Patrick Spedding, Pickering and Chatto Ltd, London, United Kingdom, pp. 7–16.
  • Spedding, P., 2001, Shameless Scribbler or Votary of Virtue? Eliza Haywood, Writing (and) Pornography in 1742, in Women Writing: 1550-1750, eds Jo Wallwork and Paul Salzman, Meridian, Bundoora Victoria, pp. 237–51.

Publications available for download

Patrick Spedding’s Academia.com Profile