Perspectives on Artistic Research in Music
I would like to announce the publication of a new book: ‘Perspectives on Artistic Research in Music’ – edited by Andrys Onsman and myself with contributions by:
Publishers: Lexington/Rowman and Littlefield
Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a “braided” space, woven from many disparate elements.Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement.
Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.
SHIFT – CD Release 2017
SHIFT Rob Burke – George Lewis – Paul Grabowsky – Mark Helias Released through … Continue reading SHIFT – CD Release 2017
Agency in Jazz and Improvisation – Call for Papers
The Australasian Jazz and Improvisation Research Network (AJIRN) is pleased to announce a call for papers/presentations for a 3-day research conference on jazz and improvised music in association with the 2017 Melbourne International Jazz Festival (MIJF).
Sardinian Liturgy – With Paolo Angeli (Ita) CD Release (2016)
Canto a tenore, a traditional Sardinian folk music can take a bit of getting used … Continue reading Sardinian Liturgy – With Paolo Angeli (Ita) CD Release (2016)
New Recording: The POWER of the IDEA – July 2014, New York
On the 16th of July 2014 Associate Professor Rob Burke recorded a CD in NY with bassist Mark Helias and Drummer Nasheet Waits; both musicians considered archetypal improvisers on the New York scene.
NOW and THEM – Dec 2014 Shanghai CHINA
Creative thinking stimulates innovation, broadens perspective and encourages critical thinking. It is fundamental to the success of human development and transports ideas beyond their usual realm. It is often overlooked but its absence always noticed.
Recording with pianist Kenny Werner in NY – Released on Jazzhead Aug 2014
In the first week of October (2013) Rob Burke recorded with legendary pianist Kenny Werner. Repertoire included original compositions from Rob Burke, Werner and Paul Grabowsky.
Practice based research in jazz – a reflective study in jazz performance (PhD)
Analysis and observations of pre-learnt and idiosyncratic elements in improvisation: a reflective study in jazz performance